Streamer Ultia, recently appointed to a CNC commission, was dismissed following comments deemed biased during a live on Twitch, raising questions about fairness in the allocation of aid to content creators.Breaking News, Entertainment, Society, financial aid, CNC, commission, content creators, impartiality, live, controversy, streameuse, Twitch, last time, AFE PACKAGE, newsStreamer Ultia, recently appointed to a CNC commission, was dismissed following comments deemed biased during a live on Twitch, raising questions about...
The National Center for Cinema and Animated Images (CNC) made an unexpected decision by removing streamer Ultia from one of its commissions, just a few days after her appointment. This measure comes following public statements made during a live on Twitch on Wednesday March 26, 2026, where Ultia presented its selection criteria for awarding financial aid to web content creators.
During this live broadcast, Ultia affirmed that she would systematically reject projects from people on the far right, immediately sparking controversy on social networks. These comments were seen as a violation of the principles of impartiality expected of the members of this commission, responsible for distributing public funds equitably.
The CNC, a French public institution, reacted quickly by announcing the withdrawal of Ultia from the CNC Talent commission, emphasizing the importance of maintaining strict neutrality in the evaluation of projects. This decision highlights the tensions between the transparency claimed by certain influencers and the ethical requirements of official bodies.
The case raises broader questions about the integration of streaming personalities into traditional decision-making bodies. As digital transforms the media, Ultia's appointment was seen as a step towards modernization, but his rapid ousting reveals the challenges of reconciling internet culture and institutional procedures.
Reactions online are mixed: some support Ultia for her frankness, while others criticize her lack of professionalism. This controversy comes in a context where public funding of web creation is increasingly scrutinized, with calls for better representativeness and clearer processes.
Ultia, known for her activist positions, has not yet publicly commented on her exclusion. His case could influence future appointments to the CNC, by encouraging a more rigorous selection of candidates and training adapted to the specificities of social networks.
This situation illustrates the risks linked to instantaneous media coverage of internal debates. Live streams on Twitch, although popular, can expose institutions to communications crises, requiring proactive management to preserve their credibility.
Ultimately, the Ultia episode serves as a reminder of the limits of online engagement in public decision-making spheres. It invites reflection on how to balance digital innovation and respect for established rules, a crucial issue for the future of creation in France.
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